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Discussion in 'Personal' started by PolyAmorous, Jan 6, 2016.
What a great composition. So emotional and all in a major key.
It's not all in a major key!
A major and D major.
Oh, are we doing it schenkerian style then?
I enjoy it more than Motorhead
The middle section of the Third Movement (Rondo) which starts at bar 137 actually commences in F♯Minor although it does eventually modulate back to A Major.
Indeed, not to mention other minor contrasts throughout.
I'm more of an Acker Bilk girl myself.
Yes ... why I am annoyed that there is no link.
If I know Mozart like I think I know Mozart, and that is as a very casual observer (as you can tell from the link request) - yet an astute one, I would say it is emotionally neutral.
Ah ... strangers on the shore .... v sexy, but emotionally neutral?
Bump to clear the first page
Best wishes to all who survived this early morning flood!
Just for you Eureka! As it should be, played on the instrument it was written for by, IMO, the best clarinettist of this age. Enjoy.
Definitely not emotionally neutral.
BTW I do find virtually all of Mozart emotionally neutral! I don't think it's just me, so there is something about Mozart, compared to Beethoven say, that renders the music to be less emotionally charged. That is not to say that there are not people who can get an emotional rise out of the fellow.
His music has a more subtle sort of emotional expression so I think I know where you're coming from. Still beautifully crafted music though.